I specialise in Womenswear yet enjoy experimenting and developing my knowledge in other areas, also venturing into textile design with my hand-embroidery. I am a passionate, outgoing individual- I love all aspects of fashion design from the 2D creative process to the hands-on pattern cutting and manufacturing.
I love to experiment with and get involved in other creative areas- a big passion of mine is styling; this is something I would like to take on further. While at university I won the Wallis 2023 competition, which entailed me designing an A/W collection. I worked alongside the team to develop designs, create technical drawings, source fabric, and communicate with manufacturers which developed my knowledge of this industry. I was also nominated for Nottingham’s fashion and textile Young Creative Award. After graduating I will be living in London and taking whatever opportunities arise.
INSPIRATION
My final project is centred around power-dressing, a concept I believe to be outdated and sexist as dressing in masculine garments is wrongly associated with being powerful. Instead, my collection emphasizes the power of femininity and redefines power-dressing through adapting the suit and pairing tailoring with unconventional aspects like lingerie. Hand-embroidery features throughout this collection as I aimed to celebrate and reintroduce this traditional, feminine craft.
This is a relevant topic as even now there is injustice towards women in the workplace. I looked at the ‘housewife’ and how it was considered the man’s duty to work resulting in hand-embroidery being a popular past time, a craft I incorporated within my collection. Through fashion I wanted to redefine power-dressing. Creating a collection which empowers women instead of constraining them and which celebrates the female figure and everything feminine.
DETAIL
I enjoy learning new crafts, experimenting with, and learning about new areas to continuously developing my knowledge. Within my final year I became interested in embroidery- this is something I taught myself and with continuous practise I was able to include it within my final collection. From my research into the housewife I came across hand-embroidery, a popular past time for women who did not work. I experimented and created designs based of my research as I wanted to celebrate this craft, which is a big part of female history, within my collection. I created embellished applique designs, using a range of glass beads I had sourced online and once finished I stitched these onto my garments. To showcase my work I wanted to direct and style my own photoshoot so I could effectively translate the meaning behind my garments. I envisioned an office setting, so I scouted out an area, styled the scene as I wished and sourced a photographer who understood my vision- acting as a director throughout the process.